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APU Honors Cliff Hamlow at Basketball Alumni Reunion

This article was originally published on APU’s website.

More than 90 alumni ranging from the classes of 1955-89 filled Upper Turner Campus Center to honor their mentor, legendary Azusa Pacific University basketball coach and vice president emeritus Cliff Hamlow ’56, PhD, on Saturday, February 4. The group of former basketball players shared memories of their time as Cougars and the impact Coach Hamlow had on their lives.

Kicking off the event, athletic director Gary Pine ’84, MBA ’05, talked about the connection that brought the players together and the man at center court. “We’re celebrating four decades of Cougar basketball,” Pine said. “Cliff is the common bond right alongside the one forged by a team. There’s nothing like playing, battling, and winning together.”

After an opening prayer by Steve Seavers ’78, Pine passed the mic to the master of ceremonies, Ed Munson, who was APU’s sports information director from 1969-72 before becoming the official scorer for the Los Angeles Angels and later the Los Angeles Dodgers. Munson recounted many noteworthy moments throughout Hamlow’s tenure, including seven consecutive 20-win seasons, scoring 155 points in a single game, scoring more than 100 points in a single half, scoring 100 or more points 15 times in one season, and winning the Christian College Tournament four years in a row from 1968-72. “I’ve seen no-hitters and perfect games, but the moment that sticks out in my mind above everything else was watching Cliff get his 300th win as Bob Dickinson made a shot with six seconds left on the clock,” Munson said.

“I don’t think I’ve ever seen someone jump as high as Cliff did in that moment. I thank God for Cliff being an excellent coach, a better friend, and a pivotal mentor.”

Following Munson, Bill Young ’57 talked about how he and Hamlow came to campus together, back when the school was called Pacific Bible College. “At the time, I don’t think there was one person who came to be a part of the athletic program,” he said. “Cliff became a student-coach instead of a student-athlete and developed the program into what it is today.” In the first few years of Hamlow’s coaching career, the team practiced at gyms off campus before a donor provided funds to build the Cougar Dome in 1958.

As the years went by, Hamlow began recruiting players and strengthening the program. By the end of the 1960s, the Cougars were a perennial powerhouse thanks to excellent coaching and talented players such as Chuck Boswell ’69. Boswell’s freshman season was the year Azusa College and Pacific Bible College merged to form Azusa Pacific. While the players had been rivals before, Hamlow coached them to work together to reach new heights. Boswell fondly recalled his favorite memories, from going on basketball road trips and running out of gas to singing in church choirs. He ended by describing all of Hamlow’s accolades. “Cliff, your greatest award isn’t here. Your greatest reward is that some day you’re going to Heaven and you will see players you brought to the Lord, and through faith they each became a different person,” he said. “Coach, I appreciate that, because I was one of those people. You did that for me. I love you and can’t thank you enough.”

Following Boswell, Dennis Dickens ’70 talked about how Hamlow gave him a chance to develop his skills when few other coaches would have done so. After graduation, Dickens had a brief NBA career before playing professionally in Europe. “My coach in the pros told me the only reason I made it this far is because Coach Hamlow taught me how to play right,” Dickens said.

“Every year as a coach, Cliff got better. That doesn’t happen often. He’s more than a great coach. He put APU’s basketball program on the map. In the basketball world, everybody knows APU all because of Cliff.”

Many players went on to coach after graduating, including Gordon Billingsley ’73 and Gary Johnson ’80. Billingsly said he treasured Hamlow’s mentorship and patience. Johnson described watching the way Hamlow coached, not shouting or getting angry with his players. Johnson replicated this in his coaching, as he went on to win Coach of the Year many times at the high school level in the San Gabriel Valley. “My favorite part was getting to coach the all-star teams, because the all-star games were held at APU,” Johnson said. “I was so proud because Coach could see me walking those sidelines just like he did.”

The final two players to share, Dave Dangleis ’87 and John Hoetker ’89, spoke about Hamlow’s impact off the court and in their lives after graduation. Dangleis spoke about a film session that turned into a prayer session as the team gathered around an old TV to watch the aftermath of the space shuttle Challenger explosion. “Cliff knew we could watch game film anytime; he made sure we stopped to grasp the significance of what had happened and prayed about it,” Dangleis said. “Coach, you taught us a lot about basketball, but you taught us more about being men, and I will always appreciate that.” Hoetker spoke about a moment more than 25 years after he finished playing basketball when he called Hamlow up and asked him to baptize his son and their family.

“I know a lot of this is about basketball and that sport is a wonderful thing because it brought us all together. But more than that, you taught us how to be in the right spot to have the greatest impact, showing us your vision for something more,” Hoetker said. “In my life, I never had a greater champion than you, Coach.”

To close out the ceremony before the group went over to the Felix Event Center to watch the current men’s basketball team beat Dominican University, Hamlow spoke about his legacy and his favorite memories from his 60 years of coaching (33 at APU and 27 at the high school level with his son, Gordon). “When I started college in 1954, I was at chapel and the Lord talked to me. I promised I would serve Him and go anywhere He wanted me to go,” Hamlow said. “Little did I know He didn’t want me to go very far. He put me here to develop an athletics program with the support of then-President Cornelius Haggard.” Hamlow recounted games in the Cougar Dome with a thunderous home crowd, giving players a quarter to go buy their meals on road trips, beating Richard Felix’s Bethel College basketball team at the National Christian College Tournament decades before Felix became APU’s president, and watching as his legacy was carried on by coaches Bill O’Dell, Justin Leslie, and Peter Bond. “It’s been great to see how our coaches have ministered to their players,” he said. “That’s been true of all our coaches here at APU. That’s why I believe in this place.” Hamlow ended by commending his players for making an impact in the lives of so many young people.

“In my 89 years, I’ve learned that we never retire from God’s work. We will slow down, but we won’t retire, because God always has something for us to do and people’s lives to touch.”

College of the Arts Hosts Industry Spotlight at Warner Bros. Studios

This article was originally published on APU’s website.

Many actors and filmmakers dream of premiering their films on the big screen, but may have to wait a lifetime to get the opportunity. For Azusa Pacific University students, they only waited until the end of their senior year. APU’s College of the Arts (COTA) hosted the 2023 Industry Spotlight on May 4 at the legendary Warner Bros. studios, giving students in cinematic arts, animation, theater, games and interactive media, art, design, music, and journalism a chance to showcase their work in front of industry talent representatives and casting directors.

Cinematic Arts

A highlight of the night involved cinematic arts students premiering films they’ve worked on all year. These included Betting on Innocence, a family comedy directed by Ethan Samartin ’23; Trip, a psychological thriller directed by Trey Dickerson ’23; The Mediocrity of Sabine and the End of Fiction, a Wes Anderson style drama directed by Hope Daniel ’23, and City Streets, a civic engagement documentary directed by Jack Barrie ’23.

For Barrie, this project entailed far more than a chance to display his cinematography and directing skills. He was recruited by APU alumnus Ricky Staub ’06 (director of Netflix’s Concrete Cowboy) to help promote a nonprofit called The City Center, which offers transitional living for homeless families to get back on their feet. “We were able to make something important and special for The City Center. It was truly unlike anything I’ve experienced before,” Barrie said. In the short film, he worked alongside classmates Sarah Cloake ’23 and Grace Berry ’23 to interview two formerly homeless parents, sharing their stories of low points and what brought them to The City Center, along with the impact the center has had on their lives. The film brought many in the audience to tears, including Barrie’s mother. “This documentary was something I couldn’t have written a script for. God was working through us,” he said.

Animation

Animation students also premiered their films, ranging from minute long 2D shorts to longer, more complex 3D stories. These included Coffee Chaos by Anne Farris, Lifeline by Rebecca Hartman ’24, Silhouette by Shelby Uchida ’23, A Lesson in Time by Jasmine Rogers ’23 and Lindsay Weyman ’23, Night Owl by Chloe Weberg ’23, Peter and Wendy by Matthew D’Amico ’23, Sonríe Mi Chiquito by Melinda Almanza ’23, Drome 19 by Madeleine Chaffin ’23, Valerie and Eddie by Seojin Jeong ’23, Skate Bait by Kayla Dennis ’23 and Whitney Hii ’23, and Hooked by Victoria Ortiz ’23 and Kaitlyn Ford ’23. Each film shared a captivating story displaying different animation techniques.

Ortiz was thrilled to share her film, a completely computer generated (CG) animation about a woman who gets catfished on a date with an actual catfish. The film took an entire year to make and Ortiz estimates that her team spent well over 1,000 hours cumulatively in creating it. “Seeing it in the theater at Warner Bros. was indescribable. There was this magical sense of completion and achievement, that all those hours meant something,” she said.

“Then at the very end, when they brought us all up on stage, I could finally see all the hard work and connections I’ve made pay off. I don’t think I realized I was actually graduating until that moment. It felt like the start of something new and exciting.”

Watch cinematic arts and animation student films here.

Theater

In a separate theater, APU theater students screened a showcase of the webseries So That Happened and performed in front of 20 talent representatives and alumni including Staub and Mackenzie Phillips. Each senior delivered a monologue that they had practiced and refined for months under the direction of Jill Brennan-Lincoln, MA, chair of the Department of Theater Arts. “Many talent reps shared with me that the APU’s Spotlight is their favorite university acting showcase to attend,” Lincoln said. “This is high praise because they compared our BFA students to MFA programs from USC, Julliard, and NYU, endorsing the training and talent our students have.”

For senior Abigail Holland, the showcase was the once in a lifetime opportunity that she had been waiting for since she started at APU. Holland performed a minute long monologue from Pretty Theft. “It was so great to present something true to myself. Every time you perform, you’re playing a character, but this time I was playing myself and I was able to show the agents and the world for the first time who I am,” she said. After the showcase, Holland met with an agent who complimented her on her performance and offered to connect her with casting directors from Netflix and Amazon Prime.

“It was a huge win and reminded me that I can do this, that the talent God gave me is coming through.”

Artist Alley & Oceanview Mall

The Industry Spotlight also featured an “Artist Alley” where a group of students from games and interactive media, art, design, and journalism shared their creations. Students in APU’s first ever comic book class shared original comics they designed, showcasing their creative talent and storytelling abilities while journalism students presented documentaries they created.

In the Artist Alley, the first graduating class of APU’s games and interactive media program presented a demonstration of their video game Oceanview Mall. The game centers around a character named Wilson Wyatt who gets lost in an abandoned mall and is forced to face his consumeristic habits while finding a way out. Oceanview Mall was created by six students who spent a full year coming up with the story, designing the graphics, adding sound effects, and playtesting. “It felt surreal to share Oceanview Mall at the Spotlight. This project was our baby,” said Chrisitan Duran ’23. “We saw it through the whole process from when it was just a couple of gray blocks on a computer screen to it being a fully fledged world with music, sound, a beautifully designed environment, and a story playing out in the game.” After a lot of hard work and late nights, Duran felt incredibly relieved to see how much people enjoyed the game.

“I felt like I was putting part of myself out there. I know this is something that’s really good and I can present it to future employers showing what we created.”

APU’s Industry Spotlight has become a signature annual event for COTA, connecting students with industry professionals and paving a way for their God given talent to take them to the next level after graduation.